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Bebop
thelonious-monk

Thelonious Monk Returns to Paris

BEBOP AND BEYOND by Armand Lewis~ There are very few jazz composers who, when you hear their work, you know instantly whose tune you are hearing. Soloists may be easily identified by their individual sound or style, but as comp...
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Bebop
Oscar Pettiford

Oscar Pettiford in Germany

KEEPING TIME WITH OSCAR PETTIFORD by Armand Lewis ~ During the swing era, the bass was rarely prominent in either performance or recording. Used almost exclusively to “keep time” and to maintain the rhythmic foundation behi...
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Bebop
Jutta Hipp

Jutta Hipp

LOST RADIO SESSIONS FOUND By Armand Lewis Women have never had an easy time as jazz instrumentalists. The stresses of leading a band, the difficulties of life on the road, the competitive nature of soloing and not least, the ti...
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Bebop
Jackie McLean

Jackie McLean

SUGAR FREE By Armand Lewis There was a time when jazz musicians learned their instruments and developed their styles relatively informally. Family members and neighbors, private teachers, grade school and high school music clas...
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Bebop
Wayne Shorter Without a Net Jazz

Wayne Shorter Returns to Blue Note

Time And Age Can’t Diminish Wayne Shorter By Armand Lewis ayne Shorter is one of the few chameleons in jazz. Adaptable to any musical setting he finds himself in, the saxophonist’s career spans everything from the hard ...
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Jaki Byard and Tommy Flanagan

Piano Magic

Tommy Flanagan and Jaki Byard By Armand Lewis usic may be the universal language, but jazz is a conversation — a conversation between the musicians as well as with the audience. A special subset of these musical conversations...
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Bebop
Grant Green

Grant Green

THE HOLY BARBARIAN By Armand Lewis Nightclubs come and nightclubs go. Troubles with rents, liquor licenses, attracting enough patrons to cover the overhead and pay the performers and staff are all understandable reasons for hig...
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Bebop
Hank Mobley

Hank Mobley: Newark 1953

HANK MOBLEY: NEWARK 1953 By Armand Lewis There are extremely talented artists in all creative fields who do not get adequate recognition during their lifetimes. Other artists are modestly successful during their lives, but thei...
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Bebop
montgomery-top

Wes Montgomery: Indiana Tapes

Bebop And Beyond By Armand Lewis efore the advent of digital recording and file sharing, if musicians wanted to be signed by record labels, they would go to a studio and record what was known as a demo tape, which would then be...
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