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Kessel Jazz Mill_k

Kessel, The Original Wrecking Crew

The recent documentary film The Wrecking Crew chronicles the musicians of the 1960s and ’70s who appeared on literally thousands of pop and rock recordings, contributing not only the musical backing, but also countless mu...
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blue-note-jazz

Blue Note: Strong at 75

Alfred Lion Founded The Pioneering Jazz Label in 1939; Today, The label Celebrates Its Rich History With Numerous Re-releases Of Classic Recordings by Armand Lewis ~ Today, independent record labels are the norm rather than the...
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Stan Getz, tenor saxophonist at Kastrup Airport CPH, Copenhagen 1958-09-10. WIKIMEDIA COMMONS

Stan Getz at Cafe Montmartre

By Armand Lewis The 1950s and early ‘60s may have been the greatest era of jazz, but it was not that great for many of the American musicians who played it. The difficulties the working jazz musician faced included the preval...
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montgomery-top

Wes Montgomery: Indiana Tapes

Bebop And Beyond By Armand Lewis efore the advent of digital recording and file sharing, if musicians wanted to be signed by record labels, they would go to a studio and record what was known as a demo tape, which would then be...
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Thelonious_Monk_and_John_Coltrane_The_Complete_1957_Riverside_Recordings_RGB

Monk and Coltrane – Definitive Performances

By Armand Lewis There are very few jazz composers who, when you hear their work, you know instantly whose tune you are hearing. Soloists may be easily identified by their individual sound or style, but as composers, very few ar...
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Lester Young

Lester Young — The Complete President

BY ARMAND LEWIS PAST GENERATIONS OF Americans were fond of giving nicknames to their friends and peers. From “Honest Abe” Lincoln, to Julius “Groucho” Marx, nicknames were used to celebrate someone by highlighting a pe...
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charlie parker strings

Charlie Parker and Strings

Bebop and Beyond By Armand Lewis Several generations of musicians did not regard themselves as having “made it” until they recorded an album with a string orchestra. In the 1940s, ‘50s and ‘60s, this symbolized not only...
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Hank Mobley

Hank Mobley: Newark 1953

HANK MOBLEY: NEWARK 1953 By Armand Lewis There are extremely talented artists in all creative fields who do not get adequate recognition during their lifetimes. Other artists are modestly successful during their lives, but thei...
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Henderson and Bartz, Spiritualizing the ‘70s

By Armand Lewis In the late 1960s, jazz was in a severe slump and was beginning to re-define itself in a search for a more youthful audience. While some players like Miles Davis embraced a fusion of jazz, electronics and rock, ...
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