RECORD COLLECTOR NEWS
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Grant Green

Grant Green

THE HOLY BARBARIAN By Armand Lewis Nightclubs come and nightclubs go. Troubles with rents, liquor licenses, attracting enough patrons to cover the overhead and pay the performers and staff are all understandable reasons for hig...
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Kessel Jazz Mill_k

Kessel, The Original Wrecking Crew

The recent documentary film The Wrecking Crew chronicles the musicians of the 1960s and ’70s who appeared on literally thousands of pop and rock recordings, contributing not only the musical backing, but also countless mu...
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thelonius

Thelonious Monk and the Dawn of the LP

By Armand Lewis In 1948, two major forces in recorded music were unleashed on the record buying public. Columbia Records had finally perfected the Long Playing (LP) vinyl record — a technological breakthrough which would libe...
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haden-hall

Haden and Hall

Duet Masters Together ~By Armand Lewis Some musical partnerships are simply meant to be, even though they may not be long term. Some come together early in their musical careers, like Charlie Parker and Dizzy Gillespie, only to...
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MilesDavis_EsmondEdwards_CTSimages

Miles Davis and the First Quintet

BY ARMAND LEWIS ON THE EVENING OF July 17th, 1955, Columbia Records producer George Avakian realized that he had a problem. He had just witnessed Miles Davis’ stellar performance at the Newport Jazz Festival and knew that if...
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Oscan_Peterson_Plays

Oscar Peterson Plays and Plays and Plays…

By Armand Lewis During the first half of the Twentieth Century, the heart of the music business was not the performer, but the composer. Recording stars, Radio, Broadway and Hollywood musicals were almost completely dependent ...
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lester-young-featured

Lester Young “Pres” in Chicago

Bebop and Beyond by Armand Lewis There are very few people in the world who can claim to be true originals. But, while everything builds on what came before, someone had to be the first. The first “cool” sound. The first to...
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Howard McGhee

Howard McGhee West Coast

By Armand Lewis Historians have dated the dawn of modern jazz in Los Angeles to December 10, 1945: The opening night of the Charlie Parker / Dizzy Gillespie Quintet at Billy Berg’s nightclub in Hollywood. While this date mark...
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Wayne Shorter Without a Net Jazz

Wayne Shorter Returns to Blue Note

Time And Age Can’t Diminish Wayne Shorter By Armand Lewis ayne Shorter is one of the few chameleons in jazz. Adaptable to any musical setting he finds himself in, the saxophonist’s career spans everything from the hard ...
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