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montgomery-top

Wes Montgomery: Indiana Tapes

Bebop And Beyond By Armand Lewis efore the advent of digital recording and file sharing, if musicians wanted to be signed by record labels, they would go to a studio and record what was known as a demo tape, which would then be...
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sophisticated

The Resurgence of Dexter Gordon

BY ARMAND LEWIS FOR A MUSICIAN WHO passed away in 1990, Dexter Gordon has been extremely busy lately. 2018 saw the release of not only a new biography, but multiple LPs and CDs of previously unreleased material – a series of...
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BlueNote

The Look of Blue Note

by Armand Lewis It’s rare to see what goes on behind the scenes in any artistic creation. Even more elusive is the opportunity to see the inner workings of an entire company throughout its most creative decades. While it was ...
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elements-600

Henderson and Bartz, Spiritualizing the ‘70s

By Armand Lewis In the late 1960s, jazz was in a severe slump and was beginning to re-define itself in a search for a more youthful audience. While some players like Miles Davis embraced a fusion of jazz, electronics and rock, ...
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blue-note-covers

The Van Gelder Sessions

Rudy Van Gelder Began Recording Jazz Greats Like Herbie Hancock, Miles Davis, Art Blakely and John Coltrane For Blue Note In His Parent’s New Jersey Living Room By Carter James ~ I often tell my friends who own record stores ...
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bobby-broom

Bobby Broom

BACK TO BASICS By Armand Lewis When people listen to records, they think they are hearing just that — a documentation of an actual performance. But this has not really been the case with most popular music since the 1960s. Wi...
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Lars Gullin in 1964

Lars Gullin – Liquid Moves

Bebop and Beyond by Armand Lewis While modern jazz originated in the United States during the mid 1940s, it quickly spread around the world and by the 1950s, there were jazz modernists in most industrialized countries, includin...
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art blakey

Art Blakely in England 1961

By Armand Lewis Jazz has a rich history of mentoring — notably King Oliver’s mentoring of a young Louis Armstrong and Charlie Parker’s mentoring of a teenaged Miles Davis. Davis himself subsequently mentored a number of j...
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Stan Getz, tenor saxophonist at Kastrup Airport CPH, Copenhagen 1958-09-10. WIKIMEDIA COMMONS

Stan Getz at Cafe Montmartre

By Armand Lewis The 1950s and early ‘60s may have been the greatest era of jazz, but it was not that great for many of the American musicians who played it. The difficulties the working jazz musician faced included the preval...
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