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blue-note-covers

The Van Gelder Sessions

Rudy Van Gelder Began Recording Jazz Greats Like Herbie Hancock, Miles Davis, Art Blakely and John Coltrane For Blue Note In His Parent’s New Jersey Living Room By Carter James ~ I often tell my friends who own record stores ...
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Sonny Sitt

Sonny Sitt — Lone Wolf Alternate

BY ARMAND LEWIS IT’S WIDELY RECOGNIZED that in the 1940s, Charlie Parker revolutionized both jazz and popular music with his lighting fast, ultra-precise style of playing that came to be known as “Be-Bop.” Not as widely ...
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Kessel Jazz Mill_k

Kessel, The Original Wrecking Crew

The recent documentary film The Wrecking Crew chronicles the musicians of the 1960s and ’70s who appeared on literally thousands of pop and rock recordings, contributing not only the musical backing, but also countless mu...
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blue-note-jazz

Blue Note: Strong at 75

Alfred Lion Founded The Pioneering Jazz Label in 1939; Today, The label Celebrates Its Rich History With Numerous Re-releases Of Classic Recordings by Armand Lewis ~ Today, independent record labels are the norm rather than the...
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Chet Baker, 1945. Photo by Bobby Willoughby

Chet Baker in New York

BY ARMAND LEWIS IN THE LATE 1950S, THERE were three major jazz record labels in New York. Blue Note, Prestige and Riverside all churned out records as fast as their musicians could rehearse and record new material. With the ma...
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tubby-hayes

Tubby Hayes

THE TEMPO RECORDINGS by Armand Lewis~ ost people think of jazz as a particularly American art form. While it certainly had its beginnings and primary development in the U.S., there were many prominent players elsewhere in the w...
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Oscar Pettiford

Oscar Pettiford in Germany

KEEPING TIME WITH OSCAR PETTIFORD by Armand Lewis ~ During the swing era, the bass was rarely prominent in either performance or recording. Used almost exclusively to “keep time” and to maintain the rhythmic foundation behi...
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Chet Baker, 1983. Wikimedia Commons, Michiel Hendryckx

Chet Baker in Germany, 1979

By Armand Lewis There have been few lives as tortured, yet so prolific as Chet Baker’s. The lyrical trumpeter with the choirboy voice would record literally hundreds of albums while spending much of his life dealing with the ...
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718RuFaVkNL._SX522_

Bobby Hutcherson and Harold Land

BY ARMAND LEWIS IN 1975, DUTCH JAZZ CONCERT promoter Wim Wigt decided it was time to start his own record label. Wigt had built up a strong business as a concert promoter and artist manager for a large number of well-known ja...
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