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Bebop
blue-note-covers

The Van Gelder Sessions

Rudy Van Gelder Began Recording Jazz Greats Like Herbie Hancock, Miles Davis, Art Blakely and John Coltrane For Blue Note In His Parent’s New Jersey Living Room By Carter James ~ I often tell my friends who own record stores ...
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Bebop
Jutta Hipp

Jutta Hipp

LOST RADIO SESSIONS FOUND By Armand Lewis Women have never had an easy time as jazz instrumentalists. The stresses of leading a band, the difficulties of life on the road, the competitive nature of soloing and not least, the ti...
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Patty Farmer
playboy-jazz-trumpet

Playboy Magazine’s Jazz Legacy

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Overall Review 3 / 5 - Above Average
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Bebop
oscar-ben

Ben Webser and Oscar Peterson

Ben Webser and Oscar Peterson — One More Time By Armand Lewis The nature of musical partnerships is not a permanent one. Musicians will work together until a better gig comes along or contractual (or geographic) differences r...
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Bebop
mingus

The Shadows of Charles Mingus

Bebop and Beyond By Armand Lewis In the 1930s and ’40s the film industry was totally controlled by the major studios. These companies (including MGM and Paramount) controlled not only production and distribution, but also alm...
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Jackie McLean

Jackie McLean

SUGAR FREE By Armand Lewis There was a time when jazz musicians learned their instruments and developed their styles relatively informally. Family members and neighbors, private teachers, grade school and high school music clas...
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sonny-rollins-way-out-west

Sonny Rollins Goes Way Out West

By Armand Lewis In the 1860s, New York Trib-une editor Horace Greeley saw the opening and settlement of the American West as an unprecedented opportunity and famously wrote in an editorial “Go West, young man.” One hundred ...
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Bebop
haden-hall

Haden and Hall

Duet Masters Together ~By Armand Lewis Some musical partnerships are simply meant to be, even though they may not be long term. Some come together early in their musical careers, like Charlie Parker and Dizzy Gillespie, only to...
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Bebop
errol_garner

Erroll Garner – Ready for Take One

by Armand Lewis During much of the twentieth century, many jazz musicians had little formal training. There may have been basic lessons as children, but often by high school age, they were being taught informally by older musi...
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